Cyrus, the leader of the most powerful gang in New York City, the Gramercy Riffs, calls a midnight summit for all the area gangs, with all asked to send nine unarmed representatives for the conclave. A gang called The Warriors are blamed for killing Cyrus as he gives his speech.

They now have to cross the territory of rivals in order to get to their own 'hood. The Warriors slowly cross the dangerous Bronx and Manhattan territories, narrowly escaping police and other gangs every step of the way. Alternate VersionsThe TV version adds roughly 10 minutes of extra footage (tv version was also time compressed so it plays faster than normal), including:.

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A completely new introduction takes place at Coney Island. Here it starts showing a more in depth look at Cleon (the leader of The Warriors), while his girlfriend warns him not to go to the Bronx for the meeting.

It also shows Cleon introducing the 9 delegates chosen for the meeting (introduces the other Warrior members). They all then walk off (in the sunset so to speak) to the meeting while a surf song (by Link Wray, song being 'Rumble') plays.

The scene abruptly cuts, suggesting that directly after this would have come the titles for the movie. Directly after the new introduction, it shows an abrupt (again) scene with Swan and Ajax in a subway terminal, where Ajax still goes on about the meeting being a setup and a waste of time. The way this was placed in the TV version, suggest that there was much more footage before this scene took place. After those two scenes occur (above) the movie then goes into the regular introduction used in the theatrical/VHS/DVD/laser versions. Immediately after this, we are shown new footage of the Warriors trying to find the meeting in the park, all the while Ajax (and a few others) still insisting it is a setup. Their is some extra footage during Cyrus' speech at the meeting.

His speech goes on to talk about somethings that will try to hold you back if you fall into them (friends, courts, etc.). After the scene were the Gramercy Riffs' second in command is being told be an associate that the Turnbull AC's 'blew it'. We are given new footage of the female DJ announcing on the air that the Turnbull AC's failed to get the Warriors. After the DJ announces on the air that the Baseball Furies failed ('they dropped the ball') We are then shown a new scene that shows one of the Riffs hanging up a telephone and reporting to the second in command that the 'Police from the 96th station' failed to catch the Warriors. Ao oni walkthrough. The second in command then ask 'what about the Furies' to which is replied 'they missed too'. This scene was more then likely cut because it implies that somehow the Gramercy Riffs and the police are 'connected' in some way.

The next scene is edited differently then the other released versions: the theatrical/DVD/VHS/laser version for the scene in Union Square subway before the fight with the Punks, shows Swan talking with Mercy, then the rest of the Warriors coming down the steps (to meet Swan). Swan 'eyes' out the other gang, and nods for the Warriors to head towards the bathroom and go inside (they show the rest of the Warrior gang go in). Next it shows Swan and Mercy Head towards the bathroom and Mercy saying how she cannot go in there, 'it's a mens room'. Vermin pulls her inside. The TV version offers some extra footage and slightly different't editing, and this changes the scene a little.

After Swan gives the 'eye' for the rest of the Warriors to head towards the bathroom, it shows the second small word exchange between Swan and Mercy (in the regular version this small exchange is shown after the Warriors go into the bathroom). Next it shows the rollerskating gang coming together (same as the regular version). But then we are given extra footage of Swan and Mercy meeting up with the other Warriors in front of the bathroom. It is here that they let Swan and the other Warriors know that they found out all of the other gangs think they killed Cyrus and how Ajax was arrested. It then shows more footage of the Punks slowly moving forward.

Then this is where we see Swan nod for the Warriors to go into the bathroom (which is different and not the same 'bathroom entering' scene shown in all other versions). It then goes to the same scene where Mercy complains she cannot go into a men's room. This scene should have been left in as it shows where (along the line) Swan finds out his gang is wanted by the Riffs. It was probably cut as it slows down the tension leading to the fight scene that occurs in the bathroom, seconds after. When the Rogues follow the Warriors by car in Coney Island, we see the Warriors run under a pier. Immediately we are shown an extra scene of the Warriors stopping under the pier and looking at the Rogue's car.

Swan mentioned how they have one 'bop' left to go. Vermin then suggest 'how about we just run' and they show the Warriors start to run further under the pier. It then cuts back to the regular scene of the Warriors walking under the pier.». Explaining what makes 'The Warriors' a good movie and one that is so enjoyable to watch is simple. It's the style. The style announces itself loudly in the opening scene/credit sequence. Each credit appears in the custom text style then recedes into the depth of the screen like a departing train disappearing down a tunnel.

Characters engage in excited exchanges about a deity-like leader, Cyrus, who commands the city's most powerful gang, the Grammercy Riffs. Everyone is heading to see him deliver a speech. And, boy, what a speech it is. He captivates the crowd of thousands by using his striking charisma and booming baritone. Then the gathering is abruptly interrupted by an act of violence for which the Warriors are falsely blamed. Acting on this inaccurate information, all gangs seek to capture and/or kill the Warriors.

Now the Warriors must brave the dangerous streets on a 28-mile journey to safety. Queue the action sequences. We see a lot of fights and running. A LOT of running. It's all delightful and stylish.

Director Walter Hill boldly leaves his fingerprints everywhere, shaping the aesthetic and creating something unusually special. He creates a world of gang warfare that has undertones steeped in reality, but none of the characters of the world they inhabit ever feel real. The movie much more closely resembles a comic book. At times this is played subtly, and in other scenes Hill makes this readily apparent by pausing certain frames on screen to make them look like boxes from a comic book. Dialogue continues the comic book theme.

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Characters say strange things that no one in real life would ever utter. The camera even moves in an unnatural manner. The action sequences contain exquisite energy, yet they feel completely rehearsed. Viewers are constantly fed reminders that they are watching a movie. It's never meant to be a realistic experience.

None of that is to say that this movie isn't enjoyable or that it is poorly made. It's purely a stylistic choice that Hill makes, and it's an overtly intentional one. Within the first few minutes, you will have a pretty good sense if this movie is for you. If you like the vibe early, you'll enjoy the movie. At the very least, this one is worth a shot.

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